Meadowland Quilt (+tutorial) & New Bundles

I think it’s safe to say at this point that Meadowland is the most prolific pattern I’ve come across!  After pattern testing for Then Came June, I ended up made it three different ways this year and plan to make one more before the year is done!  This pattern even spurred me on to start offering curated fat quarter bundles so that you can make one just like it if you want!  Cutting up fabric for all of you has become such a super fun way to connect with the quilty community and I’m so glad everyone pushed me to make the leap!

Here are the three Meadowland Quilts (that link goes to Meghan’s Shop if you want the pattern!) I’ve made so far…

Floral Meadowland Quilt
Meadowland Quilt Pattern by Then Came June Quilt & Fabric Curation by EvQuilts & Co
Black White & Blue Meadowland Quilt
Meadowland Quilt Pattern by Then Came June Quilt & Fabric Curation by EvQuilts & Co
Black White & Blue Meadowland Quilt
Meadowland Quilt Pattern by Then Came June Quilt & Fabric Curation by EvQuilts & Co


It was so much fun to make Meadowland two ways with the Black White & Blue Bundles!  Each uses an Essex yarn-dye linen as the background fabric… one in “flax” and one in “black“.

Two Meadowland Quilts
Meadowland Quilt Pattern by Then Came June Quilt & Fabric Curation by EvQuilts & Co

Here’s a peek at some of the bundles up in the shop!

There will be a bundle coming for this floral version too that uses Leah Duncan Poppy print and a bunch of really yummy solids.

Floral Meadowland Quilt
Meadowland Quilt Pattern by Then Came June Quilt & Fabric Curation by EvQuilts & Co

You may have noticed that in this floral Meadowland I changed the way it was constructed to keep the floral pattern in full squares!  To use full uncut squares in your background fabrics take these steps….

1.  The pattern will have you put each block together one by one.  When you reach this step you can put together your center block “row” of one geese, your middle 9 patch, and second geese.

2.  Do NOT put together your top and bottom rows of each block.

3.  When you have all your geese and all your center 9 patches constructed, cut your background fabric blocks (fewer of them… count out how many based on which size you’re making) at 8.5” instead of 4.5” (and any background fabric for the very edge of the quilt will be 8.5” x 4.5”).

4.  Lay everything out until you’re happy with placement and construct entire top row by row.

5.  Left to right you’ll put a background square, then combine two geese from the blocks above and below, attach background to double geese.  Let me know if you’re walking through this process and this didn’t make sense!

Floral Meadowland Quilt
Meadowland Quilt Pattern by Then Came June Quilt & Fabric Curation by EvQuilts & Co
Floral Meadowland Quilt
Meadowland Quilt Pattern by Then Came June Quilt & Fabric Curation by EvQuilts & Co
Floral Meadowland Quilt
Meadowland Quilt Pattern by Then Came June Quilt & Fabric Curation by EvQuilts & Co
Black White & Blue Meadowland Quilt
Meadowland Quilt Pattern by Then Came June Quilt & Fabric Curation by EvQuilts & Co
Black White & Blue Meadowland Quilt
Meadowland Quilt Pattern by Then Came June Quilt & Fabric Curation by EvQuilts & Co
Black White & Blue Meadowland Quilt
Meadowland Quilt Pattern by Then Came June Quilt & Fabric Curation by EvQuilts & Co


Black White & Blue Meadowland Quilt
Meadowland Quilt Pattern by Then Came June Quilt & Fabric Curation by EvQuilts & Co
Black White & Blue Meadowland Quilt
Meadowland Quilt Pattern by Then Came June Quilt & Fabric Curation by EvQuilts & Co
Black White & Blue Meadowland Quilt
Meadowland Quilt Pattern by Then Came June Quilt & Fabric Curation by EvQuilts & Co

Quilt Facing Tutorial : Dusk to Dawn Quilt

How do you finish your quilts?  Skinny binding?  Wide binding?  Ever tried a facing?

Facings are common for art quilts or wall hangings but I’ve even seen them used on your every day couch cozy quilt!  I’ve definitely run into quilts where putting a border binding on it just felt wrong and sometimes I’ve just bound with the background fabric to solve that.  But facings, facings can take your quilt to the next level.  It’s a very sharp and clean finish!  The only quilt I’d ever made a facing for was an itty bitty mini quilt and I’ll be honest, I made it up as I went and cut some corners, so this time I actually did some research.

How were other people doing it?  I didn’t find too many tutorials and the ones I did find… I had beef with at least one little detail, so I pieced together what I liked from each and made my own adjustments.  Here is a step by step detail of how I faced this quilt!  Let me know if you try it out and how it works for you!

  1.  Measure the perimeter of your quilt and cut whatever number of 3” wide strips you need just like you would for your binding.  If your quilt is 60 x 40, you’ll need (60+60+40+40=200 inches) 200 inches plus maybe 10 flex inches to accommodate any length lost as you sew your strips together.  Sew your strips together just like you would for normal binding. Quilt Facing Tutorial Quilt Facing Tutorial
  2. Fold in half and press (most of the tutorials I saw suggested to fold 1/4” under and press but I didn’t like that it would leave a raw edge only secured by a blind stitch and frankly, it felt like a PITA!  Fold in half and press may waste a wee bit more fabric but it felt like it would be more secure and it was just plain faster.) Quilt Facing Tutorial Quilt Facing Tutorial
  3. Now you have a nice big roll of wide binding/facing strips! Quilt Facing Tutorial Quilt Facing Tutorial
  4. Starting with the top and bottom, measure the width of your quilt top and cut a strip for each 1/4” less than your measured widths.  The 1/4” difference will mean that the strip is just a tad taught and will help flip the facing all the way to the back of the quilt so it doesn’t show on the edges. Quilt Facing Tutorial Quilt Facing Tutorial
  5. Matching ends of the strips up to ends of the quilt first, pin the strips across the top and bottom to prepare for sewing. Quilt Facing Tutorial Quilt Facing Tutorial
  6. At each quilt corner, carefully peel back the facing strip, quilt top, and backing away from the batting and trim just a bit of batting out of the corner.  About a 1/2” square ish.  This helps keep bulk out of the corners when you turn the facing to the back.   Be super careful you only trim the batting and don’t cut into your quilt face, backing or any quilt stitches.  You can see here that I had some stay stitching at the very edge and I unpicked a few stitches at the corner so that i could trim. Quilt Facing Tutorial Quilt Facing Tutorial
  7. Replace layers of backing, quilt top, and facing strips and repin. Quilt Facing Tutorial Quilt Facing Tutorial
  8. Starting on the side of the strip, use a walking foot and start sewing a 1/4” seam.  You may want to start a few stitches in from the edge and back stitch a couple to secure the edge of the strip.
  9. 1/4” from the corner, turn and run 1 or two stitches diagonal as you turn Quilt Facing Tutorial Quilt Facing Tutorial
  10. Continue to sew across the length of the binding strip until you’re a few inches away from the next corner. Quilt Facing Tutorial Quilt Facing Tutorial
  11. Stop a few inches away from the next corner with needle down and carefully pin back facing strip back Quilt Facing Tutorial Quilt Facing Tutorial
  12. Peel layers apart a bit and trim another square half inch or so out of the batting taking extra caution to not cut quilt top or backing. Quilt Facing Tutorial Quilt Facing Tutorial
  13. Replace layers and continue to stitch, taking a couple diagonal stitches at the corner Quilt Facing Tutorial Quilt Facing Tutorial
  14. Sew to edge of strip and back stitch a few to secure Quilt Facing Tutorial Quilt Facing Tutorial
  15. Repeat on other end Quilt Facing Tutorial Quilt Facing Tutorial
  16. Now take remainder of the facing strips and starting about 1/4” in from the sewn edge of your first strip, sew down the side. Quilt Facing Tutorial Quilt Facing Tutorial
  17. When close to the end, trim your strip  about a 1/4” away from the end.  (You could also totally do this step by measuring each side and cutting your strip ahead of time)
  18. Repeat on other side Quilt Facing Tutorial Quilt Facing Tutorial
  19. Trim any excess backing/batting Quilt Facing Tutorial Quilt Facing Tutorial Quilt Facing Tutorial Quilt Facing Tutorial Quilt Facing Tutorial Quilt Facing Tutorial
  20. Starting with your most recent strips, Pull strip and seam allowance to the backside of the quilt, pin or clip in place and hand stitch down the side using a blind stitch.
  21. Repeat with second side Quilt Facing Tutorial Quilt Facing Tutorial
  22. Time to flip over your top and final facing strips.  This is what it should look like before you flip over the rest. Quilt Facing Tutorial Quilt Facing Tutorial
  23. Flip the top and bottom strips over kind of like an envelope and pin or clip in place. Quilt Facing Tutorial Quilt Facing Tutorial
  24. Hand stitch using a blind stitch down the length of these last two strips Quilt Facing Tutorial Quilt Facing Tutorial
  25. You’re done!!!!  BASK IN THE GLORY OF YOUR NEWLY FACED QUILT Quilt Facing Tutorial Quilt Facing Tutorial


Quilt Pattern : Then Came June Dusk to Dawn Quilt

Fabrics : As detailed here


Show Me the Fabric! : White Black & Blue Meadowland Edition


I’m back with more fabric lists!!! I’m super excited to get this meadowland quilted and the pattern releases NEXT WEEK.  Meghan (Then Came June Patterns) even released the fabric requirements so you could go ahead and gather your fabric pull or order what you need.  SO, if you’re looking for what’s in the White Black & Blue Meadowland, look no further!

BWB Meadowland Bundles now for sale HERE!


Background is Essex Linen

Cotton & Steel :

  • Sprinkle – Black Cat
  • Sprinkle – Counting Stars
  • Sprinkle – Stardust
  • Netorious – Black Cat
  • XOXO – Chocolate Chip
  • Add it up – Rainy Day
  • Black & White 2016 – Whoos there
  • Black & White 2017 – Double Dots Dark Grey
  • Alexia Abegg Sienna – Wildflower in Ink
  • Alexia Abegg Firelight – Many Moons in Neutral
  • Alexia Abegg Printshop – This That in Black
  • Alexia Abegg Flowershop – Bowties in Night
  • Sarah Watts Magic Forest – Squirrels in Neutral

Carolyn Friedlander :

  • Gleaned – Snake in Ash
  • Gleaned – Snake in White
  • Gleaned – Jungle Border in Black
  • Doe – Ladder Lines in Ash
  • Doe – Sharps in Warm Grey
  • Carkai – Dentals in Pepper
  • Friedlander – Shirting in Snow


Show Me The Fabric! Dusk to Dawn Edition…

What is that!

I have to have it!

This project comes almost exclusively from my stash so I can’t promise that you’ll be able to find all of these but let the hunt begin!

Pattern :Then Came June Dusk to Dawn Quilt


Light to Dark, by designer and (collection)

Block 1

  • Carolyn Friedlander “Leaves” in Curry (Botanics)
  • Carolyn Friedlander “Ladder Lines” in Ash (Doe)
  • Carolyn Friedlander “Branches” in Ash (Botanics)
  • Carolyn Friedlander “Dots” in White (Friedlander)

Block 2

  • Cotton and Steel Sprinkle
  • Sarah Watts for Cotton and Steel “Bees” in yellow (Magic Forest)
  • Carolyn Friedlander “Intersections” in grey (Doe)
  • Carolyn Friedlander “Lightning” in yellow (Doe)

Block 3

  • Sarah Watts for Cotton and Steel “Squirrels” in neutral (Magic Forest)
  • Carolyn Friedlander “Sharp” in yarrow (Doe)
  • Alexia Abegg for Cotton and Steel “Many Moons” (Firelight)
  • Unknown solid grey brushed coton

Block 4

  • Sarah Watts for Cotton and Steel “Squirrels” in yellow(Magic Forest)
  • Carolyn Friedlander “Sharp” in grey (Doe)
  • Carolyn Friedlander “Branches” in grey (Botanics)
  • Cotton and Steel “Sea Farer” in gold metalic (Black and White 2017)

Block 5

  • Carolyn Friedlander “Sharp” in black (Doe)
  • Carolyn Friedlander “Ladder Lines” in yarrow (Doe)
  • Cotton and Steel “Double Dots” in dark grey (Black and White 2017)
  • Unknown solid charcoal brushed cotton

Campfire Quilt : Throw to Twin-ish Size Conversion

Hi there again, friends!

Here is a quick post to tell you how I converted my Suzy sized throw into a bed-sized twin quilt!  Suzy’s pattern is written for a square and it’s totally gorgeous that way but I wanted to throw this on my kiddo’s coming big girl bed.  I toyed with the idea of just adding a longer background border to the top and bottom but had a bunch of scrap strips and decided to continue to extend the logs past the existing pattern.

Suzy’s pattern looked like this when I finished my test.


NOW, it looks like THIS 🙂


To convert to a twin-ish size similar to what you see here:

*** NOTE : This definitely is a SMALL twin (I didn’t want much hang over cause the kiddo needs rails on both sides of her bed), so read through these, decide exactly how big you want your quilt to be and use this as a template to grow your quilt top.  ***


  1.  BEFORE YOU ADD THE 6” WIDE BACKGROUND BORDER AROUND YOUR LOGS:  Construct an additional four rows using the 55” wide measurement from the pattern or simply measure your widest log (which should be the width of your entire top at this point (before borders), Alternate 1.5” strip background and 2” wide strip color as you’ve been doing, only to the top and bottom until you’ve added four more rows of color to each end (or keep adding top and bottom until you have a length you like!  Conventional twin size is something like 70”x90”)
  2. Check in on your length and see if you like it.  At this point refer back to Suzy’s pattern and add the side borders of 6” wide background fabric (or add a wider border to get closer to the 70” width, you could up to a 10” border on each side)
  3. I increased my border size from 6” to 8” on the top and bottom to get a longer length closer to twin but you could easily keep alternating color strips as in step 1 above.  (or an even wider border)

Now that it’s been washed and dried my finished quilt measures right about 62” x 82”.  I did a little bit of trimming of the border because I misaligned my backing without realizing it, so don’t be too weirded out by the difference in width from Suzy’s 65 1/2” width for the throw.  I think between a slight trim and some shrinkage/crinklage it’s pretty close to the width of the original pattern.

Happy Making!


Campfire Quilt : What Colors

Hi there, Quilty Friends!

I’ve gotten SO many inquiries about the fabrics I used in my Campfire Quilt so I promised to put together a blog post detailing which shades are which!


First, if you haven’t checked out Suzy’s latest pattern… CAMPFIRE QUILT… do that!  It’s a tad technical in precision but truly, if you’re patient with yourself totally anyone can take on this pattern.  Check out Suzy’s blog post where she details a few tips that all the testers came up with.  Things about pressing and starch vs no starch and mostly… PATIENCE 🙂

I had the pleasure of testing Suzy’s pattern coinciding with the ever strong maker-mama NEED to make my kiddo a new quilt for her coming very-first BIG GIRL BED.  So I made the throw sized pattern and added some extra borders to make it a mostly-twin-sized.  More on what adjustments I made later!

Without further adieu…

Fabrics used here are all RJR Cotton Supreme Solids and it’s backed in Cotton and Steel Sprinkle


Background is Raven (decidedly charcoal… very dark grey but def not black)
Tourmaline (bright and light yellow with a hint of green… this is pretty bright in person, difficult to photograph)
Ballerina (lightest pink)
Just Peachy (warmer peachy pink)
In the Buff (reads anywhere from tan to mauve depending on what it’s paired with)
Kerchief (a just off-white)
Meissen Blue (I’m calling this like 80% blue 20% green)
Beach House (and 80% green 20% blue)

In this photo colors are top to bottom In the buff, Just Peachy, Tourmaline, In the buff, Kerchief, Meissen Blue (x3) and then left to right Tourmaline, Beach House, Tourmaline, Tourmaline, In the Buff, Ballerina, Meissen Blue


Happy Quilting!


Friends!  I am truly totally over the moon to share this quilt with you!

When I got the opportunity to make a quilt for the RJR Fabrics WHAT SHADE ARE YOU Blog Hop I was SO excited and when I found out that I would be sharing my quilt on the same weekend I ring in my 34th birthday?  Well that was a done deal!  HAPPY BIRTHDAY TO ME!

Hitting 34 feels like a total level up to me.  In the past my birthdays always came and went without much pomp and circumstance.  I’ve never been a real celebrator and lets be honest, I can come up with an excuse for a treat from Rose’s or my favorite ice cream without much effort, so who really needs a birthday?  But this year, THIS feels like something.  I’ve been treading water through the hardest years of my life and I’m still here!  If you follow me on Instagram you know that we recently moved into a new home after three moves in three years, I’ve declared this my year of re-learning self care, and I am feeling the momentum building!  As one of my absolute dearest just said to me, “34!  the year of kick-assery!”, and so CHEERS!

Alright, get on with it; onto THE QUILT.  That why you’re here, yeah?

Like I was saying, the opportunity to make a quilt for RJR’s WHAT SHADE ARE YOU was a no-brainier.  The Cotton Supreme Solids are gorgeous, have ALL THE COLORS, and have that nice silky hand that we all know and love from Cotton & Steel and other high quality designer quilting cottons.  So yes, yes please.  I will absolutely make a quilt out of RJR’s Cotton Supreme Solids and you know what?  It may be so dang fun that I make ALL FUTURE QUILTS out of them too.  Or at least a lot of them.  They’re THAT good.  Really.

When I got my colorcard in the mail I did what all good quilters do – SLICED AND DICED.  I cut that sucker up and started scooting colors around.  I started with a color scheme in my head that I just hadn’t been able to shake and built from there.  I used 12 colors and at first I felt lame for only choosing 12 out of the hundreds and especially for a quilt project that was ALL ABOUT COLOR.  But as the quilt developed and colors built context into each other, I felt like they took on different lives in the different corners of the quilt.  It started to feel like I was working with double the colors!

Photo Feb 23, 12 17 22 PM

Here is the list of the 12 colors I chose:

Chalkboard 382
Argento 362
Tourmaline 103
Carrot 131
Sunnyside of the street 379
Kerchief 364
Spearmint 389
Teal 401
Iceberg 377
Paris 235
Gelato 414
Jean Jacket 429

Photo Feb 27, 1 56 47 PM

With a total blank slate I asked myself what I’d been dying to make and never made the time.  I thought about all my most favorite classic and modern quilts and GEESE is what I kept coming back to.  I started sketching some geese and playing with scale.  I really loved how the ebb and flow of the geese felt like the ebb and flow of our life right now.  With our kiddo having CP, sometimes things feel so stagnant and slow or like we’re moving backwards, and then sometimes it feels like she’s changing and gaining skills at the speed of light.  We’ve really noticed that she has a total mind of her own and does things not on our time, not on her therapists time, but on HER time. So these geese were born out of my mama life with our Eleanor.

I really wanted to focus on color development for this quilt so I threw caution to the wind and made a few of my own foundation paper piecing templates. I did close to no actual math for this top (which is totally not my usual quilty way) and really just thought through color context as I went piece to piece. There are three separate blocks here, one with four skinny geese, one with three medium geese, and one with two large geese. I was so excited to see it all come together that I didn’t even mind when I was all set up to baste I realized I still needed to tear all the papers out!  Actually I was relieved – who really likes to baste?  NOT ME.

I quilted this with simple 1” straight line quilting in a 28wt blueish grey Aurifil.  It’s backed in Chalkboard with a few leftover blocks pieced in.

Photo Feb 28, 5 37 07 PM

I am so pleased with this quilt and love the mile marker that it is for me in this place and hope that as it hangs in our home it will be a great reminder peace and acceptance and celebration. Thanks so much to RJR for the chance to pitch in along side other amazing quilty friends!  Thanks to everyone for stopping by!

Photo Feb 28, 5 39 15 PMPhoto Feb 28, 5 42 27 PMPhoto Feb 28, 6 00 27 PMPhoto Feb 28, 5 54 20 PMPhoto Feb 28, 5 51 50 PMPhoto Feb 28, 5 49 39 PM

Star Burst Tree Skirt Tutorial

Happy Friday!  Who still has a long list of makes for this season?  :HANDS UP:  Making and crafting during the holidays is one of our most treasured parts.  Who doesn’t love handmade things to treasure year after year?!

An Origin Story.

Last year (or was it the year before that?  who even knows what years are anymore), I needed to make myself a tree skirt.  Like, five-days-before-Christmas-NEED-TO-NOW needed.  You know the kind.

Somewhere I had seen a tutorial on a very precise chevron skirt using a quilt-as-you-go method.  I thought “that’ll do; but who has time to follow directions” and with the method in the back of my head I just WENT FOR IT (Guys, I have looked and looked for that original tutorial that inspired this skirt and can’t find it – so if you think you might know which it was please let me know!!).  My chevrons were all over the place, my angles weren’t uniform, my strips weren’t uniform, my colors weren’t totally conventional and I was IN.  LOVE.


And thus, the Star Burst Tree Skirt was born.  And I want you to have one too!


((I would LOVE to see what you make!  #starbursttreeskirt and tag @evquilts))

Things you need:

I’m a little haphazard with my fabric on this.  That being said:

  • Template for triangles (I used this template from a Gotham Quilts tutorial and lengthened it by about an inch or so to the end of the page)
  • 3ish yards total for the top :   Gather a bunch of things you love.  Maybe 12 different prints at least?  You can make it as random or as uniform as you want.  You’ll cut these into strips that are WOF (width of fabric) so don’t use fat quarters.  Grab quarter yards, or half yards or just grab a ton of stuff from your stash and have at it!  The key to a good burst effect is definitely the light/dark value of your fabrics.  Try to choose some DARKS and some LIGHTS and everywhere in between.  Pairing the darks and lights really makes the bursts pop.
  • 2ish yards for the backing :  The skirt by these directions ends up being about 50” diameter so I used a wider denim backing but you could total piece together a backing for this too.
  • Binding strips – Bias binding recommended
  •  2 pieces of batting about 25” x  60” each : You could use a bunch of scraps if you need to.  Definitely use something without much loft and stretch.  I used Warm & Natural.  This length of batting will give you just enough for the skirt and maybe one extra triangle each in case of miscuts or adjustment.  (If you want to make matching stockings you could lengthen your batting to maybe 70” long)
  • Spray Baste or Pins, thread
  1.  Cut your fabric :  Cut a bunch of width-of-fabric strips in varying sizes.  I like to cut most of my strips between 2” and 3.5”.  Play with this as you make your first panel and find your own rhythm.  (In the various pictures on this post you’ll see the live-and-in-color skirts utilize smaller strips and more variation and the black-and-white skirt I cut bigger bolder strips for a different effect.)  You will probably cut more strips as you go along so start with maybe 2-3 strips from each fabric to start.IMG_1666
  2. Start to sew your strips on to your batting :  This uses a quilt-as-you-go method so each strip will be secured to the batting as you go along.  Lay out one of your batting rectangles, take two strips face to face (or start with some scraps) and place diagonal on the batting (make sure the ends of the strips will cover the batting even once you press open).  Sew a 1/4” seam along one edge of the strip and press the two strips open.  Trim edges even with batting and set aside remainder of strip to use again.IMG_1667IMG_1668
  3. Keep going : Grab another strip, line up and place face to face with strip on batting.  Sew another 1/4” seam, press open, and trim even with batting.  Continue across batting until you have covered the full piece .  Note : This is sort of a quick-and-dirty method and I don’t much worry if the batting starts to stretch or if peices start to curve.  If things get too wonky place a few strips in a manner that kind of straightens things back out.  Once these panels are cut up you won’t notice these issues.
  4. IMG_1669
  5. Set out your second batting rectangle and lay out your first strips in the opposite diagonal.  Sew strips to your batting as you did on your first until you’ve covered this length.
  6. You should now have two 25” x 60” panels of quilted strips!  IMG_1670
  7. Slice them up : using your template and long ruler start slicing your triangles.  You’ll flip the template back and forth across the length of both panels until you have 9 from each panel (total of 18).  As you cut you can adjust the angle of your strips.  This will effect what your starburst looks like!  You could use a really shallow angle or a really sharp angle.  you could even shift the template a bit and vary it a bit between each piece if you wanted.  I tended to keep a pretty consistent angle.
  8. Start to lay out your skirt : You can fudge these around for some time until you see what you like.  I find it helpful to take a picture from above and check to see if I like how the colors are lining up or if there are any directional prints I want to keep towards the front of the skirt etc.  In my black and white skirt I tried to keep the sweaters facing the front of the skirt when possible.
  9. Once you have everything laid out as you like, start to sew together two wedges at a time using a 1/4” seam and press the seam open (I press open because it helps with the bulk of the batting.
  10. Work your way around the circle until everything is connected.  I typically work my way around from the tree skirt opening, two at a time, and then two at a time again etc to keep from having too much bulk up at my machine at any given time until it’s absolutely necessary.
  11. Admire your skirt!  Time to back it!  If you want your skirt to be extra puffy you could totally add another layer of batting here between the skirt and your backing, but I usually just back it.  Now is also a good time to give your machine some love – all that batting creates a LOT of LINT.
  12. Prepare your backing – you may have to piece together your backing unless you use a fabric that has an extra wide width.
  13. Lay out your skirt and backing, and spray baste the backing over the top of the skirt.IMG_1680
  14. Trim the exterior of the skirt backing.  I find it easiest to quilt for a bit without cutting the tree opening quite yet so I leave this intact as a big circle for a while.
  15. Baste stitch around all the edges to help secure the backing IMG_1683
  16. QUILT – or… NOT?  Because your strips are all pieced directly onto the batting, you technically could totally skip quilting if you like, but who doesn’t love a little extra detail?  Quilt this up however you like.  Hand quilt it.  Machine Quilt it.  Embroider it.  A lot.  A little.  Whatever your quilty heart desires.
  17. Binding – I bind my skirt and use the length of binding to form ties on the opening side.  Prepare your binding strips and cut lengths to fit the opening sides, bind these first so that your binding around the circles covers the rough edges.
  18. For binding the circular opening and skirt edge use bias binding.  Cut your binding lengths to extend past the edge of the skirt by about 8” on each side.  After applying binding to the skirt, edge stitch to close the edge of the binding excess that will form the ties for the skirt.
  19. Admire your skirt!  Get it under your tree! Happy Making!

Here we go…

Hey Quilty Friends!

I’m Evie.  I’m a thirty-something former-accountant, mama to a spunky toddler and modern quilter in North Carolina.  I’ve been quilting for about 9 years but have really only started to share in the quilting community in the past three or four years.  I discovered the world of modern quilting while living in Seattle, where I visited sew-ins with the SMQG and workshop nights with DrygoodsDesign.  Since becoming the parent of a kiddo with a disability a few years ago I’ve really started quilting in mass amount as a way to ground myself and find a sense of calm and focus in our wild life!

I thought it was about time I open up a space to share about all things quilty.  Pretty soon you’ll find some tutorials or products or thoughts or reviews here in this place.  Thanks for coming to share in this world with me!


Coming up first is a tutorial for a Star Burst Tree Skirt…


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